Our Death Won't Hurt Anyone - Part 1 Loosely Inspired 'Art of War' by Sunzi | by Tang Shu-wing Theatre Studio & Teatro de los Sentidos | West Kowloon Cultural District & Centre de Cultura Contemporania de Barcelona | 6-8 Jul 2018 | GREC Festival de Barcelona | Barcelona, Spain
Dramaturgy & Direction: Tang Shu-Wing Advice & training: Enrique Vargas Associate Direction: Arianna Marano Direction assistant: Jacky Chan Stage Design: Gabriella Salvaterra Lighting design: Pancho García Costume design: Patrizia Menichelli Sound & music design: Stephane Laidet Technical direction: Karl Sørensen Actors: Jane Chan, Stephane Laidet, Arianna Marano, Ivy Pang, Eva Pérez, Giovanna Pezzullo, Wong Chun Him, Masu Wong, Rocky Wong Production: Carlos Calvo, Bobo Lee Production assistant: Lisa Mercury
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Flooded with Ice / Hell Fire Can't Scorch me | By Zadie Xa | 1 Jun 2018 | Purcell Room, Southbank Centre
part of In Conversation with Lee Bul and Performance by Zadie Xa
Choreographer: Jane Chan
Performer: Jane Chan | Jihye Kim | Nam Yoon Kim | Zadie Xa
Text: Taylor Le Melle and Zadie Xa
Costume: Benito Mayor Vallejo and Zadie Xa.
THE CIRCUIT - A MOVEMENT SCENARIO | By Moi Tran
18 Jan 2018 | Oval Space, London
25 Jan 2018 | Roostein Hopkins Parade Ground, Chelsea College of Arts
28 Oct 2018 | Ipswich Art Gallery | SPILL Festival
Curator: Nadine Cordial Settele
Live Musician: Yung-Yee Chen
Ensemble: Iris Chan, Jane Chan, Jenny Logico Cruz, Sung Im Her, Annie Pui Ling Lok, Hazel Lam, HaeYeon Lim, Jodie Judy Lu Ying Chu, Mei Mac, Kumiko Mendl
"In today’s world, understood in terms of multitude politics, of circulations and mobility, a tender desire is stirring to create a new set of relations amongst us, instead of simply being anchored in a context we are turning to anchor on each other."
The Circuit is an improvised, durational movement piece conceptualised by artist Moi Tran, presented by six dancers and a live musician. Coloured floor tape is used to demarcate a six-lane track varying in size, dependent on location. The Circuitous track represents continuum and journey, whilst the action of walking speaks of commonplace, everyday rituals and behaviours that tend to be overlooked. All the dancers are female of East-Asian ethnicity. As they step onto the track in unison, they commit to each other and the action of walking within their chosen lane for the duration of the piece in this collective experience.
Open and intimate, The Circuit manifests a viewing experience of physical and psychological intensity. It encourages the dissolution of borders and evokes an immersive union of artists and viewers - from which the latter can engage, or disengage and re-engage, at any point.
Central to the piece is the question: what defines an East Asian woman in a contemporary context, noting the Asian diaspora has provoked new dialogues pertaining to culture and identity across the globe?
The Circuit can be seen metaphorically as the beginning of a journey, a prologue - charting the territories through which a possible future dialogue on the identity of the East-Asian woman might move, outlining possible boundaries, and proposing routes through the modern flux of shifting and sometimes violently abrading identities, acknowledging both the continuing power of historical narratives and the ultimate impossibility of final destination and closure, by stripping away to reach a state in which identity can be formed anew.
City Monologue | by Jane Chan, Jihye Kim and Joonghong Min | 28 Nov 2017